Exodus 17:1-7, 2 Kings 4:1-7, John 2:1-11, Matthew 25:14-30 , Psalm 19:1
John Dryden (1631–1700), an English critic and poet laureate, often skipped classes at Westminster School in London and rarely prepared his lessons. One day, when tasked with writing a poem on the gos...
Psalm 42:1-2, 1 Samuel 1:9-18, Psalm 63:1, Luke 15:11-32, Lamentations 3:19-24, Romans 8:22-23, Exodus 2:23-25, Hosea 3:1, John 20:11-18
In 1998, Nick Cave*, an Australian rock/pop artist, was asked by the Vienna Poetry Academy to give a series of talks on the nature of song-writing. A year later he gave a slightly revised version of t...
While the search for the divine has been somewhat crowded out in modern times by our busy and overstimulated lives, it is still one of the most universal of human strivings. C. S. Lewis describes this...
1 Samuel 3:1-10, Exodus 33:11-23 , Job 38:1-7, John 10:27, Acts 10:9-16 , Psalm 42:7-8
One of my favorite mentors for listening prayer is Frank Laubach, the great missionary statesman and “apostle of literacy to the silent billion.” His books are simply littered with his experiences of ...
The very nature of light provides contrast. In juxtaposition, differing levels of light illuminate in extraordinary ways, helping us to see what we’ve been missing. In the late 1400s, the art world ma...
Exodus 14:, Daniel 5:, Isaiah 40:22–24, Luke 1:51–52, Revelation 18:, Psalm 33:16–17
In this poem by Lord Byron, the poet re-imagines the ancient battle of Salamis, in which Xerxes, king of Persia was defeated by a Greek coalition in 480 B.C. The poem highlights how quickly the fortun...
O God, whose reason rules the world, who formed the starry heights above, timeless, time’s chain far forth you hurled, unmoved, gave all things power to move. Prevailed on by no outside cause to fashi...
John 1:1-5, 14, Luke 4:16-21, Psalm 19:7-9 , Genesis 1:1-3, Exodus 3:4-10 , Isaiah 55:10-11
WORDS. We think words, hear words, speak words, sing words, write words, and read words—all the time. Every day. What do words have to do with Christianity? Almost everything. At every stage in redemp...
In an essay on friendship, the renowned poet Ralph Waldo Emerson wrote, “My entire success, such as it is, is composed of particular failures.” There’s a deep truth in that line—one many of us need to...
Exodus 16:23, 29–30, Ecclesiastes 3:1, 11, Mark 6:31, Matthew 11:28–29, Philippians 4:6–7, Psalm 23:1–3
Thank you, Lord,
for this season
of sun and slow motion,
of games and porch sitting,
of picnics and light green fireflies
on heavy purple evenings;
and praise for slight breezes.
It’s good, God...
1 Kings 19:11-13 , Exodus 33:12-23, Jeremiah 1:4-10 , Luke 10:38-42, John 1:1-14 , Psalm 139:1-18
Contemplation is also the response to a call: a call from Him Who has no voice, and yet Who speaks in everything that is, and Who, most of all, speaks in the depths of our own being: for we ourselves ...
Preaching Commentary Summary of the Text Songs of Ascent Psalm 133 is part of the Psalter’s collection of the Songs of Ascent, Psalms 120-134. The Songs of Ascent were sung by the throng of pilgri...
Psalm 19:, Psalm 1:null, Psalm 119:null, Exodus 20:2-3, Galatians 3:24-26, John 14:6, Matthew 22:37-40
Lent 2021: A 40-day Heart Restoration Nature, Law, & Holiness Bonus Content: Video prep session with Austin Hill on Psalm 19 . Password: %h+CNTJ7 AIM Commentary Ancient Lens What can we ...
ANCIENT LENS What’s the historical context? Historical Background The Songs of Ascents celebrate the journey from Babylonian captivity to freedom in the homeland of Judah, and ultimately celebrat...
Where there’s humility there is majesty; where there’s weakness, there’s might; where there is death, there’s life. If you want to get these things don’t disdain those.
In his poem Cocktail Party , T. S. Eliot captures a fundamental truth about human nature and the source of much hurt in the world. People’s actions are rarely driven by outright malice—intended t...
Summary of the Text Songs of Ascent Psalm 133 is part of the Psalter’s collection of the Songs of Ascent, Psalms 120-134. The Songs of Ascent were sung by the throng of pilgrims making their way to ...
One of the great problems of history is that the concepts of love and power have usually been contrasted as opposites, polar opposites, so that love is identified with a resignation of power, and powe...
Genesis 1:26-28, Exodus 24:3-8, Matthew 26:26-29, John 15:1-17, Psalm 22:
And they watched Him now, And they wondered. What could Jesus mean? This bread was His body? This wine was His blood? And they didn’t yet know, But one day they would. That before He...
Matthew 9:9-13, 18-26, Isaiah 55:8-9, Luke 10:null, Exodus 34:6
Preaching Commentary The Touch of Jesus The highlighted texts from Matthew 9 include Jesus’ call of Matthew, the tax collector, as well as two accounts of healings (the woman with the discharge of ...
Creation as it felt to God — since then every artist has felt an echo, a sympathetic vibration: a craftsman who squints at his finished product and reckons, “Very good”; a performer who cannot suppres...
[Speaking about art] As you climb the stairs of quality, you’ll meet individual works that you’ll need for the rest of your life, works that will thrill you, energize you, lift your soul, soothe you, ...
What is the shape of your pain? Is your pain a gaping wound? Is it stuffed into the back corner of a closet, or is it neatly categorized and filed away with annotations that no one but you understand?...
Introduction This passage is often used on Maundy Thursday to accompany either the story of Jesus instituting the Lord's Supper or Jesus washing the disciples' feet. This psalm is part of t...
To frame is to put a language boundary around our experience. It is to name what happens in particular ways, to say how we see the world, and to see the world how we say it is. Framing includes tellin...