All great jazz musicians have at least three things in common: (1) they have gone into the practice room and learned and internalized all the scales, which are simply organized sequences of notes, until they can play them forward and backward; (2) they have put in the time to learn all the standard jazz songs (in jazz parlance, they’ve “learned the book”); and (3) they can play every one of those standards in any key. “Oh, you want me to play Duke Ellington’s ‘Take the A Train’ in C?” No problem! “How ’bout we play ‘A Night in Tunisia’ in D?” You got it.
“Hey, man, you good with…
Subscriber Content
Get Full Access Today
Interested in viewing our resources? Try our 7-day free trial.